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Gender, Continuity, and the Shaping of Modernity in the Arts of East Asia, 16th-20th Centuries
Published by Brill
Gender, Continuity, and the Shaping of Modernity in the Arts of East Asia, 16th-20th Centuries presents a critical introduction and nine essays that examine women's and men's participation in the art world and gendered visual representations from the premodern through modern eras.
Gender, Continuity, and the Shaping of Modernity in the Arts of East Asia, 16th-20th Centuries explores women's and men's contributions to the arts and gendered visual representations in China, Korea, and Japan from the premodern through modern eras. A critical introduction and nine essays consider how threads of continuity and exchanges between the cultures of East Asia, Europe, and the United States helped to shape modernity in this region, in the process revealing East Asia as a vital component of the trans-Pacific world. The essays are organized into three themes: representations of femininity, women as makers, and constructions of gender, and they consider examples of architecture, painting, woodblock prints and illustrated books, photography, and textiles. Contributors are: Lara C. W. Blanchard, Kristen L. Chiem, Charlotte Horlyck, Ikumi Kaminishi, Nayeon Kim, Sunglim Kim, Radu Leca, Elizabeth Lillehoj, Ying-chen Peng, and Christina M. Spiker.
Kristen L. Chiem, Ph.D (2011), University of California, Los Angeles, is Associate Professor of Art History at Pepperdine University. She has published articles examining the intersections of gender, painting, and garden imagery in late imperial China. Lara C. W. Blanchard, Ph.D. (2001), University of Michigan, Ann Arbor, is Luce Professor of East Asian Art at Hobart and William Smith Colleges. She has published articles on gender and Chinese art from the Song to Ming dynasties.
Reviewer: Paul Doolan
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